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Most soldiers don’t like to talk about what they’ve been through, the things they’ve had to see; the things they’ve had to do. Uncle George was more willing to talk as he got older and more willing to be coaxed by a crowd of adoring nieces. But there were some things he'd never say. And the war never went away from him.
I wonder how many Australians were captivated, as was I, by the 80th anniversary D-Day celebrations? They seemed epochal to me: a reminder of something remarkable and a pointer to something possible, namely new resolve to maintain peace in Europe. Not too many Australians, as it turned out, were similarly mesmerised.
The wonder of Khin Myint's Fragile Creature: A Memoir lies in his calm and magnanimous reflection on his experiences and in his attempt to understand those who treated him poorly. It also provides a lens for reflecting on the dynamic at work in public debates that touch identity.
When Donald Trump was found guilty of 34 counts of falsifying business records, it represented a long-awaited triumph of the rule of law in the United States. But the verdict may not mean much in the long run, and has not affected Trump's popularity among voters. Watching Trump’s conviction from afar prompts us to consider how good we have it.
Days like World Environment Day aim to combat apathy, urging action against the grim realities of climate change. Despite dire headlines, there are grounds for hope, if not for optimism. Any change in environment for the better must be grounded in a change of heart.
This Reconciliation Week and Sorry Day, we consider the defeat of the Referendum and the substantial failure to close the gap between the living conditions of Indigenous Australians and other Australians. It means that for many Aboriginal and Torres Strait Islanders, this week will be less about days of celebration than of grief and of grim resolve to continue to seek justice.
In the latest Quarterly Essay profile of Peter Dutton, author Lech Blaine may well describe his work as character delineation, rather than character assassination. But we seem to be at an impasse in Australian market of ideas, and scorn gives greater bang for the buck than dialogue.
What's the appeal in Australian noir crime fiction? The genre has always been popular in Australia, and Australian writers of crime fiction have always had plenty of material to draw on. Led by authors like Garry Disher and Jane Harper, it has experienced something of a renaissance during the last decade.
When Pope Francis delivered a message for the World Day of Social Communications, he focused on AI. The pope posed a wide range of questions including how to regulate its development and use in order to avoid the manipulation of truth and the inevitable centralisation of wealth and power.
The reissuing of a record is not just news for the record, it’s also a reissuing of that part of the life of the listener who knew the original. Thus it is with Richard Clapton, his debut album Prussian Blue, and me.
What can you say when faced by another season of Bridgerton – that posing, poncing, irony-defying travesty of all history, literature and human relationships? Bridgerton took the Barbara Cartland romance/mild erotica ethos and dumbed it down to fifty shades of fluorescent polyester.
Jerry Seinfeld makes his directorial debut Unfrosted, a gleefully silly family comedy about the invention of the Pop-Tart. But the problem with this film is whether the sheer weight of comedic talent involved translates to actual laughs. Packed with countless cereal-based gags, it raises the question: Are disposable, pointless things worth anything?
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